dry the river . shallow bed
Dry the River
dry the river are an indie folk band from London, which released an EP filled with promises and expectations in 2010 called ‘Bible Belt’. these songs were of an amazing sensibility and quality, a true songwriter’s dream.
they kept releasing EP’s and singles, on the road to achieve the full-length album, all of them with excellent quality, and over the average songwriting.
Shallow Bed
yesterday they have released ‘Shallow Bed’, their first album. it is everything we (the fans) had expected. this collection of songs sounds like a masterpiece of indie folk music, the bridge between indie folk and pop music. any song on the record could easily be a single by itself (and probably will be 
). it is a well designed, well thought and well performed collection of great songs.
another praise to the production and sound mastering on this record, it is flawless.
by the end of the spring, everyone will be singing : “as heavy as a history book can be. I will carry you with me, oh lord.”
and please, watch these WONDERFUL videos, it is impossible not to be in love <3 :
the 10 most interesting albums of 2011, so far, in video format!
1. Girls – Father, Son, Holy Ghost . song: Vomit
2. Tom Waits – Bad as Me . song: Satisfied
3. Bon Iver – s/t . song: Holocene
4. A Winged Victory for the Sullen – s/t . song: We Played Some Open Chords and Rejoiced
5. James Blake – s/t . song: The Wilhelm Scream
6. The Antlers – Burst Apart . song: Every Night My Teeth Are Falling Out
7. Fleet Foxes – Helplessness Blues . song: The Shrine/An Argument
8. Matana Roberts – Coin Coin Chapter 1 : Gens de Couleurs Libres . song: Pov Piti
9. True Widow - As High As the Highest Heavens and From the Center to the Circumference of the Earth . song: Skull Eyes
10. Colin Stetson – New History Warfare Vol.II . song: A Dream of Water
the 10 most interesting albums of 2011, so far.
there would be much more from where these came from, but I feel like I should restrict my space to 10 of them
1. Girls – Father, Son, Holy Spirit
WOW. These guys started with a good promising debut, but who would expect an epic like this?! this album is a mashup of all the clichés in the history of rock music – which would normally be an awful thing to do – but Girls drink up some 60′s pop standards, some 70′s psychedelia, a bit of California dreams and digest it into a beautiful, honest and perfectly crafted work. Each and every song sounds like a perfect craft of these elements, extremely catchy (you can sing along after the 1st listen) and with simple, yet powerful lyrics. please, don’t be scared by the apparent idea that this is nothing new, because even not being, it is genius work.
2. Tom Waits – Bad as Me
This is Waits’ most friendly record in a very long time, and by far not one of his best, but still, it is a magnificent collection of good songs, and a sampler of american culture in a whole, the lyrics are poetry as usual, the mood is mainly blues. Songs range from highly energic and groovy (courtesy of the amazing Marc Ribot, and contributions of Keith Richards, Flea and Les Claypool) to the amazingly emotional ballads Waits has gotten us used to. as every other Tom Waits album, this is a beautiful black pearl.
3. Bon Iver – Bon Iver
With an amazing, incredible and over the top debut, Bon Iver (or Justin Vernon) were/was in a very difficult situation. when ‘For Emma, Forever Ago’ was listened to, it revealed one of the most intimate, heartbreaking, songwriter’s work in a very long time, and the reviewers rejoiced, acclaiming it as one of the greatest albums of the last 10 years. probably true. when ‘Bon Iver’ was released, people didn’t really know what to expect. and Justin Vernon surprised us in any possible way. this is no longer lonely, minimalist folk songwriting. this is something i don’t even know how to describe, while still walking through the indie folk grounds, it is a mind-twister, with rich, intelligent arrangements and structure. somewhat progressive, somewhat introspective, it is surely a magnificent tapestry, as rich as they come. i didn’t like it at first. now I love it.
4. A Winged Victory for the Sullen
People who are into ambient music and modern classical, will surely have heard about Stars of the Lid and about Dustin O’Halloran. while the duo Stars of the Lid create stunning ambient landscapes filled with beauty and oniric substance, almost dream-like sounds, Dustin O’Halloran is a pianist whose sensibility astonishes, who explores melodic and harmonic textures, having been called the modern Debussy. ‘A Winged Victory for the Sullen’ is a collaboration between Adam Wiltzie (SotL) and O’Halloran, and we can almost transparently feel the role of each one in the final sound. O’Halloran fills the voids of the discreet sound layers of Wiltzie with his melodic piano phrasing in a beautiful way, and the entire album feels like a beautiful dream, a contemplative reflection of good feelings.
5. James Blake – James Blake
During this year everyone’s been talking about the rise and fall of dubstep. Is it really dying? My opinion diverges, we can either see it as a little robot that was shot to serious injuries by the new decade and is rapidly being rebuilt with extra functionalities, or we can see it as the bird that died and gave place to a burning phoenix rising from the ashes. Anyway, what I want to say is that there are quite a lot of people drinking from the dubstep influence, and making something which some already call post-dubstep. I don’t know if we can go that far, but I can guarantee that like a fragmentation grenade, the different styles that sprawled from the debris are immensely rich and worth a while. James Blake is the flagship for a new generation of musicians, and he is truly an original icon. Blake picked up on the remains of dubstep to give his songwriting a new face, and create something quite new, fresh and beautiful. It is electronic music, it is singer/songwriter, it is soft, it is powerful. I advise you to listen to the sound of the new world.
6. The Antlers – Burst Apart
This is a two-sided sword. while I loved The Antlers’ previous work ‘Hospice’, this new one didn’t really get at me at first. i had gotten used to the lyrical magnificence and concept of ‘Hospice’ and ‘Burst Apart’ didn’t really seem to have any of those at first listen. as I normally am wrong at first listens, I gave it another try, and it constantly grew on me. now, after intense listening and one live show, I can say: it is absolutely great, even greater than Hospice. it is an assumedly song-driven, minimalist, stripped-down, beautiful piece of work. each song speaks for itself, bringing us up and down on an emotional roller coaster, either melancholic, either happy, either intense, either relaxed. simply great. can’t get tired of it.
7. Fleet Foxes – Helplessness Blues
What to say, what to say… fleet foxes are one of my favorite bands. they brought a lost sound from the past, put it in a beautiful ‘geometric pattern dress’, and gave me another good reason to imagine countrysides and contemplate nature. not only excellent songwriters, they are crafters of dreams, passion and beauty. if their talent was consolidated by their debut, ‘Helplessness Blues’ is an extension of that talent. a bit like ‘Bon Iver’, this sounds richer and more carefully crafted than the previous. it is a beautiful work of art, that should be listened to, and sung until the end of times. ♥
8. Matana Roberts – Coin Coin, Chapter 1 : Gens de Couleurs Libres
The only jazz record i’ve really enjoyed this year, for very strong reasons. matana roberts is a saxophonist and composer, mainly working in improvisation and creative composition. she has played with Godspeed You! Black Emperor, TV on the Radio, and many others, and is a landmark in New York’s improvised music scene. the project Coin Coin is about the roots of african americans, and explores themes of history, memory and ancestry. it is avant-garde free-jazz, sometimes noisy, sometimes cathartic, sometimes beautiful, and most of the times as painful as reality. in the second song ‘Pov Piti’ you listen to an anguished, painful scream, followed by the beautiful crescendo of saxophone and a tormented narrative in spoken word. matana roberts has created a monolith of feelings and emotions, and I highly recommend it, even if you’re only used to music that makes you feel good 
9. True Widow - As High As the Highest Heavens and From the Center to the Circumference of the Earth
Are you a stoner type? Do you worship cult bands Earth, Sleep or Kyuss? then True Widow is the thing for you! these guys are doing the some of the best stoner music of the last decade. This album is a monolith of drowsiness, slow-pace and powerful riffs. It’s so slow it makes your metabolism lower and you can enter a dream-like state if you’re not careful. The songs are good, the riffs are simple and catchy and the voice is just what the music asks for. All in all, a very solid work by True Widow, and a must of for people who like it slow.
10. Colin Stetson – New History Warfare Vol.II
I don’t even know how to start talking about Colin Stetson. Baritone saxophone player, Stetson has been slowly building his way up in the Canadian music scene, playing with Tom Waits, Arcade Fire, Bon Iver, Feist, TV on the Radio, and lots more. Recently he has started presenting to the world, his own vision. New History Warfare (parts I & II) are truly original pieces of art. Conceptual in their core, these albums show what Colin Stetson has been developing as the work of his life : a literally breathtaking technique. New History Warfare Vol.II is a musical experience like few you have had. Armed mainly with his saxophone, Stetson breathes life into the instrument through the use of dense layers of multiphonic harmonies and other strange techniques, and creates music like no other I have heard before, in the borderline of minimalist classical, free-jazz, free improvisation and almost noise. This, my dear readers, is art.
3 perfect pop albums.
1. Belle and Sebastian – If You’re Feeling Sinister (1996)
this album is a fine example of great songwriting from beginning to end. why? the humorous lyrics mixed with the subtle but intelligent arrangements and the catchy melodies are imprinted from the first song to the last. it sounds retro, it sounds modern, it sounds great. allmusic says “it’s like The Smiths met up with Simon and Garfunkle” and it really feels that way. Not exactly the pop you’re used to, and not exactly the alternative you’re waiting for, and that’s the good surprise, it sounds really fresh and new “Sinister plays like a great forgotten album, couched in ’80s indie, ’90s attitude, and ’60s folk-pop. It’s beautifully out of time…”. beautiful stuff.
2. The Flaming Lips – The Soft Bulletin
The Flaming Lips are undisputedly one of the most experimental indie rock bands to ever stroll musical reality and this is their masterpiece. It is a perfect blend of catchyness and experimentalism, as much emotional as straight out psychedelic! The arrangements of futuristic lush orchestrations fill our ears with bliss and the amazing harmonies and celestial melodies. It is perfectly in-balance of pop and edgy experimentation. the concept and lyrics are all the way interesting, exploring existentialism, and the relationship between mankind and science, and Wayne Coyne’s singing is ultimately original, straightforward and honest. it is a blissful conquest, like pouring rainbows into your ears.
3. Wilco – Yankee Hotel Foxtrot
The most important thing to say about this album is : LISTEN TO IT! Apart from the excellent songwriting, the production is just AMAZING. Jim O’Rourke (ex-Sonic Youth, and experimental/noise/free-improv god) gave his midas touch to this record, creating something that is admirable and extremely interesting. All throughout this album, the details of production are a world to explore. The background noises, sounds, build-ups, textures, etc are worth every minute you put into this. Now enough about O’Rourke’s masterpiece production and let’s talk about YHF. every song in this album is perfect. perfect choice of chords, perfect lyrics, perfect singing, perfect feeling. it’s just perfect, in everything that concerns pop music. lyrically, there is a particular detail worth notice: this album was launched before 9/11, and yet the lyrical and aesthetical coincidences are overwhelming. the album’s cover features two buildings, the overall feeling of the album is tense, melancholic and apocalyptic, song names like “War on War” or “Ashes of the American Flags” and lyrics like “tall buildings shake, voices escape, singing sad sad songs” or the disappointment with american society. this album captured the strange tension, pre-apocalyptical feeling leading to the horrible attacks on USA’s pride. it goes down in history for what it is: recorded perfection.
john zorn’s book of angels
as I consider that John Zorn needs no introductions, as one of the greatest living composers/musicians of our times, his ‘Book of Angels’ series is one of my latest fads.
the ‘Book of Angels’ is considered to be the second Masada book, which, very much like the first, consists in Zorn’s exploration of traditional Jewish music and its rich scales/harmonies, and very much like the first is quite damn exploratory (probably more).
what we are talking here is exactly 300 songs composed by Zorn in less than three months. these 300 compositions follow the line of thought of the Masada theme, focusing on the ‘radical jewish culture’ concept. quoting John Zorn on his first Masada book, “the idea is to put Ornette Coleman and the Jewish scales together.”, and on this ‘Book of Angels’ we see this being explored further beyond.
now, the most interesting fact about this collection of songs, is that Zorn intended these songs to be played by different ensembles (not only his previous Masada ensembles), but a wide array of musicians/bands, which turn out, in my opinion to be extremely interesting.
another notable fact is that each album title is inspired in demonology and Judeo-Christian mythology.
the ‘Book of Angels’ is now on the 17th volume (yes, 17 albums!) and still counting. as it is impossible to review all of them, I will only talk about some personal choices. consider my top 5 ‘Book of Angels’ releases:
1. Volume 9 – Xaphan by Secret Chiefs 3
As this is also one of my favorite bands and Trey Spruance (ex-Mr.Bungle), one of my favorite musicians, this opinion is probably biased, but nonetheless, this is an amazing amazing album. gathering on all the usual technicality, mystique, and oriental spices of Secret Chiefs 3, these musicians are AMAZING playing Zorn’s compositions. it’s frenetic, sensitive and just damn great 
(check the song below)
Xaphan
2. Volume 17 – Caym by Cyro Baptista’s Banquet of Spirits
This one is a true delight. Cyro Baptista and his Banquet of Spirits transform Zorn into a world music galore, with Cyro’s exotic rhythms, Shanir Ezra Blumenkranz’s frantic oud solos and all the musicianship that blends perfectly in this album, it is a living proof of eclecticism and intelligence. WOW. (check the song below)
Caym
3. Volume 7 – Asmodeus by Marc Ribot/Trevor Dunn
Asmodeus is a twist. Marc Ribot (Tom Waits’ favourite guitarist) and Trevor Dunn (ex-Mr.Bungle) deliver a demonic rage of proto-punk/noise-rock whatever! It is ugly, it is intense, it is awesome. really, it is. (check the song below)
Asmodeus
4. Volume 12 – Stolas by Masada Quintet (feat. Joe Lovano)
Probably the most straight-forward jazz record of the collection, Stolas is incredibly consistent and just plain beautiful. John Zorn delivers a couple of solos, and Joe Lovano is flawless. Thumbs up for the Masada Quintet, with their tighter than the pope’s ass performance. (check the song below)
Stolas
5. Volume 8 – Volac by Erik Friedlander
This one is one of the favorites simply because it is perfect. Erik Friedlander handles his cello like he is handling his long lost love, and it is a beautiful, beautiful thing to listen to. This sound is minimalistic and pure, just like a stream of musical water. (check the song below)
Volac
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here… we… go… magic…
just arrived from a festival where I had the opportunity to see Here We Go Magic. and it was pure magic, indeed.
the band is a quintet from Brooklyn, NY, formed by formerly solo folk singer Luke Temple. Luke started his career creating songs with acoustic guitar and synth loops, which he turned into an album called ‘Here We Go Magic’. He then expanded the project by adding up two beautiful girls (bass and synths) and a guitarist and drummer.
Here We Go Magic
The result is an amazing melting pot of neo-psychedelia, endless synth loops, noise, melodic genius and addicting rhythms. And wow, do these guys know what they’re doing.
S/T
Their first album, self-titled ‘Here We Go Magic’ is enchanting and magical, with great songs like ‘Fangela’ and an overall feeling of coherence and ambiance which can only be explained by the music itself.
Pigeons
The second album, ‘Pigeons’, apart from having a really amazing cover art, is a refined collection of psychedelic folk songs with an amazing quality and full of great ideas.
Here We Go Magic is addicting and blows your mind with amazingness. Really. Listen to it!
this is probably the strangest and most fascinating piece of music i’ve heard in a while.
WU LYF
‘WU LYF’ or ‘World Unite Lucifer Youth Foundation’ started out in Manchester UK, as a group of four friends which appeared to the world surrounded in a shroud of mystery. the band appeared using masks and maintaining a ‘cult-like’ anonymity, a very smart marketing move which resulted in having the press completely falling in love with the idea of finding out who these youngsters were in reality and what were their intentions.
WU LYF again
having gathered attentions, WU LYF were ready to record their songs. what would surprise the press again would be their decision to abandon the typical studio sessions and recording their album in an abandoned church in Ancoats, Manchester, self-producing it and thereby getting an unique sound.
Go Tell Fire to the Mountain
talking about the music now, ‘Go Tell Fire to the Mountain’ is WU LYF’s first recording, and oh my god, is it strangely unique and amazing. we can easily identify the influences on their sound, but the boldness to mash them up and the mastery of how it was done gives thumbs up to WU LYF. so, as we listen to the first song in the album, we start by hearing a church organ melody, followed by guitars building up an intro, then when we realize : ‘wait, this kinda sounds post-rocky and shoegazy’ the bass line comes in with an almost caribbean mood and all of the sudden we’re involved in an afro-beatish post-rockish thing thinking nothing else could add up here. and then the singer starts howling. howling in a way which captain beefheart and tom waits would be proud. then we also realize : “underneath all this cacophony of amazingness, there is a pop song that’s sticking to my ears”. and here we have it : indie post-rock shoegaze afro-beat with an howling vocalist. can you imagine it?
well, neither could I, if someone told me, so if you want to make sure this is real, listen to it, and then come back and agree with me
WU LYF’s ‘Go Tell Fire to the Mountain’ has already creeped up to my favourites for the year, and if someone is going to take them out of there, they better be very very original.
‘A Start On Such A Night Is Full Of Promise’
there are post-rock acts. there are modern classical artists.
we like the experimentalism, the reverb and the walls of sound that Godspeed You! Black Emperor bring. we also like the fragile sensibility that Johan Johánesson has in each note he plays.
what if we had the best of both worlds? what if we had a concept album with as much beauty as tripping qualities?
maybe i’m exaggerating, but this album stroke me as one of the most beautiful things in quite a long time. i must confess, i am the biggest fan of concept albums, specially when the whole concept/work is seamlessly unbindable. in this case, The Mountaineering Club Orchestra, a band from York, UK, present us with an album which tells the tale of the first crossing of Greenland made by an expedition led by Norwegian explorer Fridtjof Nansen in 1888, and the account that he wrote of the expedition.
'Fridtjof Nansen'
the music they create fits perfectly to the theme, and I strongly feel that if Nansen had a soundtrack on his mind during the crossing of the bright white snow covered planes of Greenland, it would surely be like this, cold, ethereal and beautiful. and oh, is it beautiful. it’s as beautiful and textured as the color palette of the cover art that fills our thoughts with good feelings.
unfortunately i’m a mood person, and the weather doesn’t allow for the needed mood for this great work. so i’ll be saving it for next winter.
fans of Sigur Rós, Godspeed You! Black Emperor, Johan Johánesson, Max Richter, and everything which is beautiful, rejoice, the mountaineering club orchestra have come, and they are here to bring ice and beauty into our lives. we can only hope for a long time.
sleep, party people.
after a period of absence due to personal projects, i’m back to write about some interesting stuff i’ve been finding.
the first of my discoveries is a group called Sleep Party People from Copenhagen, Denmark, founded by mr. Brian Batz who very interestingly explores some weird (in a good way) dreamscapes and oniric sounds.
Sleep Party People
their sound is somehow set between dreampop, post-rock and noise music, with a great songwriting sensibility. batz’s voice is maybe the most difficult thing to accept in this sound, but after getting used to it, it makes perfect sense, this innocent, almost childish chipmunk voice blends perfectly with the environments created. listening to it might transport you to a dreamlike world, which sometimes can be of good feelings, but often drifts to a darker place. they’re live performances have a very interesting set-up where the band dresses up in these lynchean rabbit costumes and just drift and drift and drift and drift… it’s almost therapeutical in a way that hipnotizes, grabs your mind and transports you to another realm. this is true cinematic dream music.
Sleep Party People (2010)
overhall, the album is pretty well done, shifting between happy and sad melodies, always maintaining the musical coherence. it is a nice trip to ride, and i highly recommend it. take a look at the videos below to better understand what i mean.
2010′s best in videoclips :) – for those who don’t like reading!
